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This piece is a visual translation of an essay written by my sister Lorraine Affourtit while in pursuit of her doctorate of at UC Santa Cruz. Utilizing the connective constellations of meaning constructed in the essay, I compound the conceptual framework inherent in the structure and content of the essay with physical obstructions, such as the size of the wall, into a rubric from which the work emerges. For example Lorraine's reading of Deleuze through Tacita Dean's Berlin Works in order to elucidate expanded concepts of temporality and the Crystal Image, formed the textual scaffolding for the work Palast (after Tacita Dean, for Lorraine)